The Wrecker Page 5

  At eight o‘clock this evening, the lady herself, considerably older and noticeably larger, her great mane of blond hair gone white as the woodwork, held court on a burgundy couch in the back drawing room, where she settled in billows of green silk. The room held many such couches, capacious armchairs, polished-brass cuspidors, gilt-framed paintings of nubile women in various states of undress, and a fine bar stacked with crystal. Tonight it was securely closed off from the front room by three-inch-thick mahogany pocket doors. Standing guard was an elegantly top-hatted bouncer, a former prizefighter believed to have knocked down “Gentleman Jim” Corbett in his heyday and who’d lived to tell the tale.

  Isaac Bell had to hide a smile at how much Joseph Van Dorn was thrown off balance by the still-beautiful proprietress. A blush was spreading from beneath his beard, red as the whiskers. For all his oft-proven courage in the face of violent attack, Van Dorn was singularly straitlaced when it came to women in general and intimate behavior in particular. It was clear he would rather be sitting anywhere but in the back parlor of the highest-class sporting house in California.

  “Shall we start?” asked Van Dorn.

  “Miss Anne,” Bell said, courteously extending his hand to help her rise from the couch. “We thank you for your hospitality.”

  As Bell walked her out the door, she murmured in a soft Virginia drawl how grateful she remained to the Van Dorn Detective Agency for apprehending, in the quietest manner, a vicious killer who had preyed on her hardworking girls. The monster, a twisted fiend whom the Van Dorn operatives had backtracked to one of Sacramento’s finest families, was locked forever in an asylum for the criminally insane, and no hint of scandal had ever alarmed her patrons.

  Joseph Van Dorn stood up, and said in a low voice that carried, “Let’s get to it. Isaac Bell is in charge of this investigation. When he speaks, he speaks with my authority. Isaac, tell them what you have in mind.”

  Bell looked from face to face before he spoke. He had worked with, or knew of, all the heads of the western cities’ agencies: Phoenix, Salt Lake, Boise, Seattle, Spokane, Portland, Sacramento, San Francisco, Los Angeles, Denver, and the other agents Van Dorn had rounded up.

  Among the standouts were the immense, powerfully built director of the San Francisco office, Horace Bronson, and short, fat Arthur Curtis, with whom Bell had worked on the Butcher Bandit case, on which they’d lost a mutual friend in Curtis’s partner, Glenn Irvine.

  “Texas” Walt Hatfield, a barbed-wire-lean former ranger who specialized in stopping railroad express-car robberies, would be of particular value on this case. As would Kansas City’s Eddie Edwards, a prematurely white-haired gent who was expert at rousting city gangs out of freight yards, where sidelined trains were particularly vulnerable to robbery and sabotage.

  The oldest in the room were ice-eyed Mack Fulton from Boston, who knew every safecracker in the country, and his partner, explosives expert Wally Kisley, dressed in his trademark three-piece drummer’s suit with a loud pattern bright as a checkerboard. Mack and Wally had teamed up since the early days in Chicago. Quick with a joke or a prank, they were known in the agency as “Weber and Fields” after the famous vaudeville comedians and producers of burlesque musicals on Broadway.

  Last came Bell’s particular friend, Archie Abbott from New York, a near-invisible undercover man, sidling through Miss Anne’s kitchen door, dressed like a tramp looking for a handout.

  Bell said, “If someone detonates a bomb in here, every outlaw on the continent will be buying drinks.”

  Their laughter was subdued. Texas Walt Hatfield asked the question that was on many minds, “Isaac, you fixing to tell us why we’re hunkered down in a sportin’ house like we was longhorns canyon-skulking on roundup morning?”

  “Because we’re up against a saboteur who thinks big, plans smart, and doesn’t give a hoot who he kills.”

  “Well, now that you put it that way—”

  “He is a vicious, ruthless murderer. He’s done so much damage already and killed so many innocent people that the hobos took notice and nicknamed him ‘the Wrecker.’ His target appears to be the Southern Pacific Railroad Cascades Cutoff. The railroad is our client. The Wrecker is our target. The Van Dorn Detective Agency has two jobs: protect the client by stopping the Wrecker from doing any more damage and catch him with enough proof to hang him.”

  Bell nodded briskly. A male secretary in shirtsleeves sprang forward to drape a railroad map over a picture of nymphs in their bath. The map depicted the western railroads from Salt Lake City to San Francisco that served California, Oregon, Washington, Idaho, Utah, Nevada, and Arizona.

  “To pinpoint the railroad’s most vulnerable locations, I’ve invited Jethro Watt, superintendent of railway police, to fill you in.”

  The detectives responded with derisive mutters.

  Isaac Bell quieted them with a cold glance. “We all know the shortcomings of the railroad dicks. But Van Dorn hasn’t the manpower to cover eight thousand miles of track. Jethro has information we couldn’t learn on our own. So if anyone in this room says anything to make Superintendent Watt less than enthusiastically cooperative, he’ll answer to me.”

  At Bell’s command, the secretary ushered in Superintendent Watt, who in appearance did not contradict the detectives’ low expectations of railway police. From the greasy hair pasted to the forehead above his ill-shaven, bad-tempered face to his grimy collar, wrinkled coat and trousers, to his scuffed boots to the bulges in his clothing that bespoke cannon-caliber sidearms, saps, and billy clubs, Jethro Watt, who was nearly as tall as Isaac Bell and twice as wide, looked like the prototype for every yard bull and cinder dick in the country. Then he opened his mouth and surprised them all.

  “There’s an old saying: ‘Nothing is impossible for the Southern Pacific.’

  “What railroad men mean by that is this: We do it all. We grade our own road. We lay our own track. We build our own locomotives and rolling stock. We erect our own bridges—forty in the new expansion, in addition to Cascade Canyon. We bore our own tunnels—they’ll be fifty before we’re done. We maintain our own machinery. We invent special High Sierra snowplows for winter, fire trains for summer. We are a mighty enterprise.”

  With neither a softer tone nor the hint of smile, he added, “On San Francisco Bay, our ferry passengers crossing from Oakland Mole to the City claim that our machine shops even bake the doughnuts we sell on our boats. Like ‘em or not, they still eat ’em. The Southern Pacific is a mighty enterprise. Like us or not.”

  Jethro Watt’s bloodshot eye fell on the ornate bar heaped high with a pyramid of crystal decanters, and he wet his lips.

  “A mighty enterprise makes many enemies. If a fella climbs out of the wrong side of bed in the morning, he’ll blame the railroad. If his crop fails, he’ll blame the railroad. If he loses his farm, he’ll blame the railroad. If his union can’t raise his wages, he’ll blame the railroad. If he gets laid off in a Panic, he’ll blame the railroad. If his bank closes and can’t return his money, he’ll blame the railroad. Sometimes he gets mad enough to transact a little business with the express car. Robbing trains. But worse than robbing trains is sabotage. Worse, and harder to stop because a mighty enterprise makes a mammoth target.

  “Sabotage by angry fellas is why the company maintains an army of police to protect itself. An enormous army. But like any army, we need so many soldiers we can’t pick and choose, and sometimes we must recruit what others more privileged might call the dregs . . .”

  He glowered around the room, and half the detectives there expected him to whip out a blackjack. Instead, he concluded, with a cold, derisive smile, “The word has come down from on high that our army is to assist you gentlemen detectives. We are placed at your service, and my boys are instructed to take orders from you gentlemen.

  “Mr. Bell and I have already had a long talk with the company’s top engineers and superintendents. Mr. Bell knows what we know. Namely, if this so-called Wrecker wants to disrupt our C
ascades Cutoff, he can attack us six ways from Sunday:

  “He can wreck a train by tampering with the switches that shunt trains around one another. Or he can manipulate the telegraph by which division superintendents control train movements.

  “He can burn a bridge. He’s already dynamited a tunnel, he can blow another.

  “He can attack our shops and foundries that serve the cutoff. Most likely, Sacramento. And Red Bluff, where they fabricate truss rods for the Cascade Canyon Bridge.

  “He can set fire to our roundhouses when they’re crowded full of locomotives undergoing maintenance.

  “He can mine the rails.

  “And every time he succeeds and folks get killed, he will panic our workmen.

  “At Mr. Bell’s request, we have dispatched our ‘army’ to the places where the railroad is most at risk. Our ’soldiers’ are in place and await you gentlemen’s requests. Now Mr. Bell will pinpoint those places for you while I go pour me a snort.”

  Watt plunged across the parlor without apology, heading directly to the crystal-laden bar.

  Isaac Bell said, “Listen close. We have our work cut out for us.”

  By MIDNIGHT, YOUNG WOMEN’S laughter had replaced the solemn proceedings in Miss Anne’s back parlor. The Van Dorn detectives had dispersed, slipping away quietly to their hotels alone or in pairs, leaving only Isaac Bell and Archie Abbott in Miss Anne’s library, a windowless room deep in the mansion, where they continued to pore over the railroad maps.

  Archie Abbott strained the authenticity of his tramp costume by pouring a twelve-year-old Napoleon brandy into a crystal balloon snifter and inhaling with refined appreciation.

  “Weber and Fields made a good point about powder-house burglaries. Missing explosives are a red flag.”

  “Unless he buys some at the general store.”

  Archie raised his glass in a toast. “Destruction to the Wrecker! May the wind blow in his face and the hot sun blind him!”

  Archie’s carefully styled accent sounded as if he hailed from New York City’s Hell’s Kitchen. But Archie had numerous accents he could fashion to fit his costume. He had become a detective only after his family, blue-blooded but impoverished since the Panic of ‘93, had forbidden him becoming an actor. The first time they’d met, Isaac Bell was boxing for Yale when the unenviable chore of defending the honor of Princeton had fallen to Archibald Angell Abbott IV

  “All bases covered?”

  “Looks that way.”

  “How come you don’t look happier, Isaac?”

  “As Watt said, it’s a big railroad.”

  “Oh yes.” Abbott took a sip of brandy and leaned over the map again. His high brow knitted. “Who’s watching the Redding Yards?”

  “Lewis and Minalgo were nearest by,” said Bell, not happy with his answer.

  “‘And the former was a lulu,”’ said Archie, quoting the much-loved baseball poem “Casey at the Bat,” “‘and the latter was a cake.”’

  Bell nodded agreement, and, thinking through his roster, said, “I’ll move them down to Glendale and put Hatfield in charge of Redding.”

  “Glendale, hell. I’d move ‘em to Mexico.”

  “So would I, if I could spare the men. But Glendale’s mighty far off. I don’t think we have to worry too much about Glendale. It’s seven hundred miles from the Cascades route . . .” He pulled out his gold watch. “We’ve done all we can tonight. I’ve got an extra room in my hotel suite. If I can sneak you past the house dick dressed like that.”

  Abbott shook his head. “Thanks, but when I came through the kitchen earlier, Miss Anne’s cook promised me a midnight supper.”

  Bell shook his head at his old friend. “Only you, Archie, could spend the night in a whorehouse and sleep with the cook.”

  “I checked the train schedule,” Abbott said. “Give my regards to Miss Marion. You’ve got time to catch the night flyer to San Francisco.”

  “I was planning to,” said Bell, and strode quickly into the night, heading for the railroad station.

  5

  AT MIDNIGHT, BENEATH A STARRY SKY, A MAN DRESSED IN A SUIT and a slouch hat like a railroad official worked hand and foot levers to propel a three-wheeled Kalamazoo Velocipede track-inspection vehicle between Burbank and Glendale. The track was smooth on this recently completed section of the San Francisco—to—Los Angeles line. Rowing with his arms and pedaling with his feet, he was making nearly twenty miles per hour in eerie silence broken only by the rhythmic clicking of the wheels passing over the joints between the rails.

  The Velocipede was used to watch over the section gangs who replaced worn or rotted crossties, tamped stone ballast between the ties, aligned rails, pounded down loose spikes, and tightened bolts. Its frame, two main wheels, and the outrigger that connected them to its side wheel were made of strong, light ash, its treads of cast iron. The entire vehicle weighed less than one hundred fifty pounds. One man could lift it off the rails and turn it in the opposite direction or get out of the way of a train. The Wrecker, no cripple except when he needed a disguise, would have no trouble tumbling it down an embankment when he was done with it.

  Tied to the empty seat beside him were a crowbar, track wrench, spike puller, and a device that no section gang would dare leave on the rails. It was a hook, nearly two feet long, fashioned from a cast-iron boat anchor from which one fluke had been removed.

  He had stolen the Velocipede. He had broken into a clapboard building at the edge of Burbank freight depot where the Southern Pacific section inspector stored it and manhandled it onto the rails. In the unlikely event that some cinder dick or village constable saw him and asked what the hell he was doing riding the main line at midnight, his suit and hat would buy him two seconds of hesitation. Ample time to deliver a silent answer with the blade in his boot.

  Leaving the lights of Burbank behind, rolling past darkened farmhouses, he quickly adjusted to the starlight. Half an hour later, ten miles north of Los Angeles, he slowed down, recognizing the jagged angles and dense layers of latticework of an iron trestle crossing a dry riverbed. He trundled across the trestle. The rails curved sharply to the right to parallel the riverbed.

  He stopped a few yards after he felt the wheels click across a joint where two rails butted together. He unloaded his tools and knelt down on the crushed-stone ballast, cushioning his knees on a wooden crosstie. Feeling the joint between the rails in the dark with his fingers, he located the fishplate, the flat piece of metal fastening the rails to each other. He pried up the spike that anchored the fishplate to the tie with his spike puller. Then he used his track wrench to loosen the nuts on the four bolts that secured the fishplate to the rails and yanked them out. Tossing three of the bolts and nuts and the fishplate down the steep embankment, where even the sharpest-eyed engineer could not see them in his headlight, he threaded the last bolt through a hole in the shank of the hook.

  He swore at a sudden stab of sharp pain.

  He had cut his finger on a metal burr. Cursing the drunken blacksmith who hadn’t bothered to file smooth the edges of the hole he had drilled, he wrapped his finger in a handkerchief to stop the bleeding. Clumsily, he finished screwing the nut on the bolt. With the wrench, he made it tight enough to hold the hook upright. The open end faced west, the direction from which the Coast Line Limited would come.

  The Coast Line was a “flyer,” one of the fast through passenger trains that sped across long distances between cities. Routed via new tunnels through the Santa Susana Mountains, from Santa Barbara to Oxnard, Burbank, and Glendale, she was bound for Los Angeles.

  Suddenly, the Wrecker felt the rail vibrate. He jumped to his feet. The Coast Line Limited was supposed to be running late tonight. If that was she, she had made up a lot of time. If it wasn‘t, then he had gone to great effort and taken dangerous risks to derail a worthless milk train.

  A train whistle moaned. Quickly, he grabbed the spike puller and yanked up spikes that were holding the rail to the wooden ties. He managed to
pry eight loose before he saw a glow of a headlight up the line. He threw the spike puller down the steep embankment and jumped onto the Velocipede and pedaled hard. Now he heard the locomotive. The sound was faint in the distance, but he recognized the distinctive clean, sharp huff of an Atlantic 4-4-2. It was the Limited, all right, and he could gauge by the rapid beat of the steam exhausted from her smokestack that she was coming fast.

  THE ATLANTIC 4-4-2 PULLING the Coast Line Limited was built for speed.

  Her engineer, Rufus Patrick, loved her for it. The American Locomotive Company of Schenectady, New York, had fitted her with enormous eighty-inch drive wheels. At sixty miles per hour, the four-wheeled engine truck in front held her on the rails as steady as the Rock of Ages while a two-wheeled truck in back supported a big firebox to generate plenty of superheated steam.

  Rufus Patrick would admit that she was not that strong. The new, heavier steel passenger cars coming along soon would demand the more powerful Pacifies. She was no mountain climber, but for blazing speed on a flat, pulling a crack flyer of wooden passenger cars across long distances, she was not to be beat. Her identical sister had been clocked the previous year at 127.1 mph, a speed record unlikely to be bested anytime soon, thought Patrick. At least not by him, not even tonight running late, not when he was hauling ten passenger cars full of folks hoping to get home safe. Sixty was just fine, flying at a mile a minute.

  The locomotive’s cab was crowded. In addition to Rufus Patrick and his fireman, Zeke Taggert, there were two guests: Bill Wright, an official of the Electrical Workers Union who was a friend of Rufus‘s, and Bill’s nephew, his namesake Billy, whom he was accompanying to Los Angeles, where the boy was to begin an apprenticeship in a laboratory that developed celluloid film for moving pictures. When they had last stopped for water, Rufus had walked back to the baggage car, where they were stealing a free ride, and invited them up to the cab.