The Tombs fa-4 Read online

  Remi 4th floor.

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  Remi 4th floor.

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  She used the metal strut she had taken from the cabinet to rap on the pipe for what she imagined must be the thousandth time. Each night, when the house was silent and she was sure the others were asleep, she would begin signaling again. First, she would pick the lock on the bedroom door, leaving the separated fork tine in it so she could lock it by raking the pins aside on the tumbler and hiding the tine. She would open the door, listen carefully, and then make her way along the corridor to a window so she knew for sure it was night and all were asleep. Then she would go back and signal.

  She always left the door closed but unlocked so she would be ready for Sam. It would be very difficult for him to find her, but she knew he would. He was a brilliant man, and he loved her as much as he loved breathing. He had once promised her that if they were ever separated this way, he would simply keep coming for her until he had her. Nothing would stop him while he was alive. She had no idea when he would arrive at this remote Russian manor house, but she knew he was on his way.

  Most nights, she kept up the signaling on the pipes until she judged it must be around five a.m. and nearly light outside. Then she would look down the hall to confirm it was predawn, close and lock her door, and sleep. She had become nocturnal in the past week, sleeping during the long periods between meals except while she was exercising, bathing, or interrogating Sasha about the world outside.

  And then he came. Remi was tapping on the pipe as usual when she became aware that something had changed. She had been in this small space so long that adding another human being changed everything—air, sounds, a new vibration on the floor as he walked in the door.

  Remi sprang up instantly, hurried to Sam and threw her arms around him. She held him as tightly as she could for a full ten seconds, tears welling in her eyes. She recognized the familiar contour of his shoulders under the bulky jacket. Then she looked up at him and whispered, “What took you so long—enjoying being single?”

  “No. You just forgot to tell me you were leaving.”

  “Oh. Sorry.”

  “Ready to get out of here?”

  “Almost,” she whispered. She sat on the bed and put on her shoes. “We’ve got to go that way and down the back stairs to the second floor, which will get us past the family’s floor and the bodyguards. Then we use the main staircase to reach the first floor, so we miss the kitchen, where the night guards go for their breaks.”

  “You know that?”

  “I made a friend—a girl who works in the kitchen. How did you get into the house?”

  “I saw a second-floor window that had been left opened. It turned out to be a hallway. I heard your signal, and from there I went up the back stairs.”

  “Dumb luck. That was about the only way that was clear.” She stood. “I’m ready.” She opened the door and walked out, waited for Sam, and locked it behind them.

  She led him down the spiraling stairs for two stories, then silently and carefully moved up the hallway to the broad main staircase. She stopped for a moment to listen for the two guards in their room snoring, then moved onto the stairs. The steps were carpeted, so their footsteps were muffled. They descended to the ground floor, where there was a large foyer with a marble floor with a round escutcheon mosaic at the center. As they stepped onto its surface, three men seemed to materialize from a shadowy doorway somewhere beside the stairs.

  One man pulled back the charging lever on his Škorpion machine pistol, but the man beside him grasped his shoulder and said something in Russian that made him lower the weapon. Sam said to Remi, “They need us alive, to turn over the treasure.”

  “Do you promise?”

  The three rushed toward Sam and Remi, who separated and dodged them. Sam faked to the side and redirected the first man’s momentum into the staircase railing, then gave the second a glancing punch along the side of the head as he went by.

  Remi backed up to the large fireplace that dominated the foyer. As the third man came toward her, she snatched up the poker. He took a tentative step toward her, but she didn’t budge. “You just came after me because I’m the only girl.”

  He smiled.

  “Bad choice.” Remi performed a fencing thrust with the fireplace poker, which extended it at least a foot farther than the man had anticipated and poked him hard in the stomach. As he bent over to grasp his stomach, Remi swung the poker overhand and hit him on the head. He straightened and charged for her, knowing that in close quarters he could overpower her. She swung as she stepped to the side, bashed the back of his head as he went by, and put him out, unmoving, on the floor.

  She saw the other two had recovered and were beginning to rush Sam and so she thrust the poker between the ankles of the nearest man. As he tripped, she withdrew the poker and brought it across his head as he fell. The third man, the one who had the Škorpion machine pistol on a sling, started to raise it toward her, and Sam delivered a kick to the side of his knee. The sudden pain brought the man down, and Sam was on him to wrest the gun away.

  The gun went off, firing an unaimed burst into the floor, the far wall, and the staircase. Then it was empty, and Sam delivered a punch to the face that bounced the man’s head off the floor. He took the gun and pulled the spare magazine out of the leather case attached to the sling, ejected the spent one and inserted the spare.

  Remi was already halfway across the foyer to the dining room. They both could hear the thunderous sound of many booted feet coming down the stairs from the second and third floors.

  Sam caught up with her, and they dashed through the huge formal dining room, with its thirty-foot table, and then ran into the kitchen. Sam whispered, “Do you know where we’re going?”

  “We need to get out, but we can’t go outside yet or they’ll get a clear shot at us.”

  “We’ll have to try to make a splash from here.” Sam bolted the door to the dining room, ran to the other side of the kitchen and bolted the door to the back stairway, then locked the door that led outside. They could hear running feet outside as men got into position.

  Sam went to the big restaurant-sized gas stove and turned on the burners. There was no sound except the electric starters clicking repeatedly as they produced a spark. “They turned off the gas,” he said. “Electricity’s still on because they expect to catch us in the lights.”

  Sam flung open the pantry door, turned on the light, and looked inside. There was a barrel about five feet deep and three feet in diameter. He took off the top. “Flour,” he said. He tilted it and rolled it to the middle of the floor.

  “What are you doing?” asked Remi.

  “I need two ounces of flour per cubic yard of air,” he said. “Help me.” He pushed over the flour barrel, lifted flour with both arms, and tossed it into the air. Remi did the same. He ran to the far side of the kitchen, where there was a big fan on a five-foot stand. He turned it on and aimed it at the big pile of spilled flour. In a couple of seconds, it was blowing it into the air, filling it with the fine white powder, turning the air in the kitchen into a cloud. “Get in the pantry,” he said, then picked two pie pans off the counter, knelt on the floor, and tossed panfuls of flour into the air as fast as he could.

  He looked around him, seemed to judge that things were going the way he wanted, and ran to the pantry to join Remi. He shut the door, flopped down beside her with the light still on, pushed some dish towels under the door, and put his arm over her. She said, “A flour bomb, Sam?”

  “Almost anything explodes if you treat it right,” he said. “Once there’s enough flour in the air, the electric stove starters should ignite it. Close your eyes, cover your ears, and open your mouth. Do not raise your head.”

  They lay still. Then there was a terrible moment when the light in the pantry went dark. There was no longer a sound of fans or the clicking of the electric starters on the sto
ve. “Well, that’s that,” he said.

  “That’s what?”

  “They turned off the main circuit breaker. No igniter.”

  In a single avalanche of sound, the doors on both sides of the kitchen banged, assaulted by men using heavy objects as battering rams. They heard many footsteps outside, men dashing toward the back of the house. Sam used the charging lever to load the first round into the chamber of the Škorpion he had taken from the guard. He reached up to turn the knob of the pantry door and opened it a crack. The fans had stopped and the white flour was suspended in the perfectly still air, so thick it was difficult to see across the room, difficult to breathe. In an instant, Sam foresaw what was about to happen. He yanked the door shut, held Remi down and kept his body over hers. “Stay down.”

  A kitchen window shattered onto the floor, and a machine pistol began to spray bullets and sparks of burning powder into the room—Bwaah!—and those sparks were enough.

  The flour suspended in the air exploded in a huge, fiery blast. It blew the kitchen doors outward, one into the dining room and the other into the back stairway, tearing the wood from its hinges and knocking the six or seven men senseless who had been trying to batter the doors in. The men at the rear of the kitchen fared worse because in the instant that the explosion blew the glass out of the windows, much of the wall blew out too, and was burning. The parts of the kitchen that still stood were burning too.

  Sam pushed off the floor, lifting the pantry door off his back. Remi struggled to sit up. They were both white as ghosts, every inch of them covered with flour. He looked out at the damage. “Can you run?”

  “Like a scared rabbit.”

  They dashed from the pantry, ran for the hole that had been the back wall, and then they were out into the night. The fire was already growing inside the mansion, and as they ran they could hear battery-operated smoke alarms going off all over it in a growing chorus. They sprinted across the garden behind it, running for the darkness.

  Remi grabbed Sam’s hand. “The stable is over there,” she said as she veered toward a long, low building. Sam ran harder.

  Behind them there were injured men being dragged out of the smoke-filled building into the air, many of them coughing and many battered and cut by flying doors and windows.

  Remi and Sam slipped into the stable, where they could see a row of ten stalls with horses in them. The big noise had startled the animals, so they tossed their heads and looked at the two intruders with big rolling, frightened eyes. Far down the row, there was a horse kicking the gate of his stall, making a sound like gunshots.

  Remi walked along the stalls, talking to the horses. “Hello, boy. What a big, smart boy you are. And handsome too.” She reached up and patted each horse, murmuring sweet words to all of them. In a short time they seemed to be calmer, but outside the disturbing human noises continued—shouts, running feet, smoke alarms.

  Sam held the Škorpion in his hand as he watched through the partially open door. “They’re not turning on the power.”

  “Would you?”

  “Probably not. The dark should help us get out the back of this building and into the fields.”

  “What would help more is if you’ll saddle your own horse.”

  “Horse?”

  “We can’t outrun them, we don’t have a car, and can’t get to one without getting shot. A horse can run across country where there are no roads. Sasha says the railroad tracks are that way and they lead to a station.” She swung an English saddle over the horse and cinched the strap. “Be good, big guy. Be calm.”

  “I’ll do my best,” said Sam.

  “I wasn’t talking to you, but be calm anyway.”

  Sam went to the wall of the stable where the tack hung, selected a saddle, blanket, bit, and bridle. He approached a horse and it reared and kicked the wall.

  “Over here,” Remi said. “I’ve got a good feeling about this one.”

  Sam went to the other stall and said, “All right, you big, beautiful monster. You and I are going to be best buddies.” He saddled the horse and put on the bridle. “Now we’re going to run away from about a thousand Russian guys before they kill your nice new friends.”

  Sam and Remi led the two horses to the far end of the stable, away from the house, the fire, and the commotion. Remi led her horse outside, mounted him, and waited. Sam, a far less experienced rider, hoisted himself up into the saddle, and his horse spun around. He needed to hold the reins with both hands to control the horse, so he tossed the gun aside. “Hold on, buddy. I’m your friend, remember?” The horse seemed to decide then he would be willing to go away from the house and set off at a canter.

  They were in a large pasture where the horses no doubt were allowed to run during the day, so the horse’s newfound calm was probably familiarity. Sam patted the horse and talked to him. In the next paddock, Sam could see barriers for steeplechase jumping and he felt a twinge of anticipation that things were not about to get better for him. Apparently these were jumping horses, and as a child Remi had been an avid rider. The only one in the paddock who had no idea what he was doing was Sam.

  Sam again heard voices shouting, but this time it sounded as though they were near the riding area. Several times Sam heard the crack as a bullet passed nearby and then the rattle of machine-gun fire. He saw Remi’s horse speed up, galloping toward the fence at the end of the field.

  Remi’s horse soared over the white rails. Sam spent a second noticing that the whiteness of the fence, reflecting some of the light from the fire, made everything beyond it look black. He couldn’t make out Remi and her horse very well. Sam’s horse followed with him astride it, willing the horse to believe, against all reason, that Sam was confident and experienced. To his amazement, the horse ran up to the fence and leapt into the air. As Sam became airborne, he heard Remi yell, “Lean forward!” so he did, and then the horse landed, front hooves first and then the back, and Sam managed to hold on.

  The horses ran on, not as fast as they had at first but still about as fast as Sam could tolerate. The field looked to him like an endless sea of blackness. The horses ran for two miles or so without meeting an obstacle. In the distance, far to their right, Sam and Remi could see lights on a roadway. It was hard to tell whether the occasional headlights had anything to do with them, but the road never got any closer and the lights never turned toward them or stopped. Remi and Sam slowed down, and then they dismounted and walked the horses in the darkness for a while to let them rest and cool down. When Remi felt the horses were ready, she mounted her horse and began to ride forward, slowly picking up speed again. Sam mounted and followed.

  * * *

  SERGEI POLIAKOFF walked outside the burning manor house, keeping a distance of thirty feet from the flames that were licking up its sides and flickering along the peak of its roof. The back of the house seemed to have been kicked outward by the explosion. What there had been to explode, he had no idea. Since the fire had begun, it had set off a couple of caches of ammunition, but they had been quick, rapid-fire volleys, like strings of firecrackers, not big explosions. Maybe the gas had not been turned off completely. He would probably never know.

  The explosion was an outrage, an insult so egregious that he hadn’t quite found a way to react to it. His handpicked, highly trained, well-paid squad of bodyguards and operators had failed utterly against one man on foreign soil, arriving on foot, to take back his wife.

  The word wife set off a new set of concerns. His wife, Irena, and his children had been in Moscow, visiting her parents, and he felt relieved knowing that. But in a few days she would be coming home. And this—this ugly, horribly damaged building—was home.

  His stupid men had formed into squads now and had begun fighting the fire with garden hoses. He watched them imitating well-trained troops, and felt affronted by their tardy and useless discipline and their lack of professionalism.

  Next, faintly at first, and then louder and louder, he heard the wails of sirens. His men looked
at one another, grinning at the realization that help was coming, and kept spraying water. Poliakoff ran across the yard and clutched the arm of Kotzov, the head of his bodyguards. “Hear those sirens?”

  “Yes. They’ll have these fires out in a few minutes.”

  “No, you donkey. Don’t you remember what’s stored in the basement? Get your men to stop spraying water. Get them to soak what’s left of the ground floor with gasoline. Block the road from the highway to delay the fire trucks. We’ve got to give the house time to burn before the firemen and police get a look at those drugs.”

  Poliakoff stood in isolation as his men stopped fighting the fire and ran to siphon gasoline from the cars and trucks to add to it. This too was part of the outrage. These Fargo people had forced him to burn down his own house. What an indignity. He should have killed the wife as soon as he’d seen her.

  * * *

  MILES AWAY on the steppe, Sam and Remi saw train tracks across the road from them, the rails gleaming in the moonlight. “Sasha was right,” Remi said. “Here are the tracks.”

  “Yes,” said Sam. “But which way is the station?”

  “Both ways, silly. That’s how railways work.”

  “I meant the nearest station. But I guess it doesn’t matter. Nizhny Novgorod is that way, so we’ve got to go the other way.”

  As they started to lead the horses across the road, they saw the first headlights they’d seen in hours. The car originally appeared far away and then came closer and closer. They could tell immediately it was like no car they’d ever seen. It had three headlights—the usual pair, and then another one right between the two on the nose of the car. As the car came around the bend and pulled to the side to pass, the center headlight moved, pointing in the direction it was going.

  The car slowed and stopped in front of Sam and Remi. It was a dark bronze color, long and low, with a body that tapered and narrowed at the back, streamlined like a fantasy spaceship. It was brand-new-looking, but somehow the eye knew it was antique. It was a futuristic design from the past.